Thee, Hannah

 

It was a visit last weekend from our friend Bill that got me interested again in the work of author/illustrator Marguerite de Angeli. In our conversations about children's books, her name came up.

Did I know her work?

I ran down to my studio to find Henner's Lydia, Elin's Amerika, Bright April and the other few prized volumes of her books that I own.

Did I have Thee, Hannah?

No. But after Bill told me it was based on his great grandmother who was de Angeli's friend, I quickly ordered a copy. Yes, it is still in print. And it arrived the other day. This morning, a cold and bright Friday, I sat in my studio and read it.

There's a quiet peacefulness to this book which takes place in Philadelphia before the Civil War. Illustrated in watercolor and fine pencil drawings,  de Angeli tell a genuine story of a young Quaker girl's curiosity, desires and ultimately, her courage. She also gives us a view into the times-- including the Underground Railroad.  I especially adore how each chapter starts with the street calls--oyster man, pepper pot lady, and more.

A few of Marguerite de Angeli's books remain in print.  Look for others at your local libraries and second hand book vendors.

Nine o'clock, and all's well!

Nine o'clock of a rainy night!

 

The Hanukkah Trike

 

I'd like to introduce you to Gabi Greenberg, the star of my new picture book, The Hanukkah Trike. To read more about Gabi and why I wrote about her, ride over to Albert Whitman's  Boxcars, Books, & a Blog .


 

Socks, handknit

Socks. Another pair knit. But these were not quite like others. Knit while life around me, my life as a mother, began it's steady shift away from all that it had been. Soon that movement will be greater, in September, the nest, our nest, once so full and crowded, with just be for the two old birds.
The Stalled Sock, this month's Lion Brand essay.

 

Shawl Friday

It's been a summer of reading about Laura Ingalls Wilder and Rose Wilder Lane. I'm not quite sure what keeps pulling me to find out what made them tick. Perhaps it's the closeness of their archives, housed down the road in West Branch Iowa.

Studying new picture books, I have found I really love Mo Willems. And I adore his early readers. Thank you, Debbie Dunn for introducing me to them.

So what does this all have to do with shawl Friday? Sketching lions for the new Lion Brand healing shawl cards (http://cache.lionbrand.com/cgi-bin/pg.fcgi?page=prayerShawlCards.html ), I looked for a visual guide. The lions were my first attempt at anthropomorphizing. I thought Maurice Sendak and his Little Bear illustrations would be most helpful, but it was the spareness of the Mo Willems elephant and pig that guided my hand.